Ebykr Daniel Rebour

Daniel Rebour and His Gift

Daniel Rebour's signature, the name Rebour lettered inside a slanted box of long ruled lines, centered on a plain white ground

For almost 30 years Daniel Rebour drew the French bicycle for Le Cycle: numbered pen plates that showed readers how the best constructeurs built their machines. The man, his tandem, his pen and the gift that made his drawings worth keeping.

Daniel Rebour photo gallery

Pen cartoon of four men walking arm in arm: one in a kilt smoking a pipe, one in plus-fours and a peaked cap, one in a beret and a tall man in sunglasses, with the boxed Rebour signature at the lower rightDaniel RebourBlack-and-white halftone photograph of Daniel Rebour smiling, in a dark jacket over a light turtleneck, holding copies of Le Cycle whose cover announces the Salon de Paris du Cycle et du MotocycleDaniel RebourDaniel Rebour's signature, the name Rebour lettered inside a slanted box of long ruled lines, centered on a plain white groundDaniel RebourPage 25 of Le Cycle, January 1964: drawings of a René Herse bottom bracket lug and a lugless frame.Daniel RebourPage 12 of Le Cycle, January 1964: the title frame of Rebour's article "Le cadre" and its first four columns of text.Daniel RebourRebour's Salon report, page 27, Le Cycle, October 1966: the Captivante folding bicycle drawn folded and unfolded, beside the 1894 Salle Wagram Salon poster.Daniel RebourMaury Top Xx 28 2400pxDaniel RebourMaury Top Xx 27 2400pxDaniel RebourMaury Top Xx 26 2400pxDaniel RebourMaury Top Xx 25 2400pxDaniel RebourMaury Top Xx 24 2400pxDaniel RebourMaury Top Xx 23 2400pxDaniel Rebour

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